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Caroline Schlyter
Anna Ingrid Caroline Schlyter, (born 9October 1961) is a Swedish artist focusing on sculpture and installations. She is best known for her furniture sculptures that have been exhibited in numerous countries.
== Early years and education ==
Caroline Schlyter was educated at Konstfack, Department of Fine Art and at Royal Institute of Art in Stockholm. In 1988, at the beginning of her studies, Schlyter created a rolled steel prototype of a chair that she named ''Lilla h'' (known as ''Little h''). It was first exhibited at Kulturhuset, Stockholm in 1989. The chair was shown as an installation where it was covered with of red velvet from the wall down over the chair and out onto the floor. That same year, Schlyter entered the international art/design scene when participating in an international furniture design competition in Asahikawa, Japan,〔Ringström, Ulf, "Caroline Schlyters stol", Forum (Sweden) No 1, 1991 p. 31〕 where she received an Award Winning Entry for her chair ''Little h'', now executed in wood,〔Borgard, Sabina, "Buche – soft geformt at it's best", ''Arcade'' (Germany) No 4, 1990, Cover story〕〔Hedqvist, Hedvig, "Form utan gräns", ''Svenska Dagbladet Fredags'' (Sweden) February 9, 1990, Cover story〕 moulded from one single piece of birch plywood. "My aim was to create a clean, unbroken line and avoid joints and connecting details...", she said about her work.〔Fiell, Charlotte & Peter (2012). ''Chairs – 1,000 Masterpieces of Modern Design, 1800 to the Present Day'', London: Goodman Fiell, p. 607. ISBN 978-1-84796-034-4〕
Schlyter's design caught the eye of magazine editors and ''Little h'' was featured on the cover of several international magazines.〔〔〔Tore Hebb, Timothy, "Morgondagens klassiker", ''Dagens Nyheter Kultur'' (Sweden) September 21, 2008, Cover story〕 Three years later, in 1992, Schlyter was awarded the ''Utmärkt Svensk Form'' ("Excellent Swedish Design") award〔Nordgren, Peter, "Utmärkt Svensk Form 1992", Form (Sweden) No 3, 1992 p. 18〕 for ''Little h''. The jury's motivation: "Nearest a sitsculpture, which independently and skillfully plays on the modern, nordic bent-wood art. The sovereign curvature gives the impression of stretching the wood's possibilities to the utmost."
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